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Domestic Brutes

September 12, 2020 - November 7, 2020

Curated by Etty Yaniv and Christina Massey

 

Artists: Tirtzah Bassel, Aisha Tandiwe Bell, Ashley Norwood Cooper, Maria de Los Angeles, Nancy Elsamanoudi, Fay Ku, Sharon Madanes, Lacey McKinney, Joiri Minaya, Rose Nestler, Simonette Quamina, Diana Schmertz, Alisa Sikelianos-Carter, Manju Shandler, Melissa Stern

 

Click Here to Download the Full Press Release

Click Here to View List of Works

 

Opening Receptions

Saturday, September 12th (Gallery)

Thursday, September 17th (Virtual)

Virtual Artist Talks

Manju Shandler: Thursday, August 20th, 5:00-6:00 PM
Maria de Los Angeles: Thursday, August 27th, 5:00- 6:00 PM
Melissa Stern: Thursday, September 3rd, 5:00-6:00 PM
Nancy Elsamanoudi: Thursday, September 10th, 5:00-6:00 PM
Fay Ku: Thursday, September 24th, 5:00-6:00 PM
Aisha Tandiwe Bell: Thursday, October 1st, 5:00-6:00PM
Diana Schmertz: Thursday, October 8th, 5:00-6:00 PM
Ashley Cooper: Thursday, October 15th, 5:00-6:00 PM
Alisa Sikelianos-Carter: Thursday, October 29th, 5:00-6:00 PM

 

Lacey McKinney_Obscenely Loved

Lacey McKinney – Obscenely Loved

 

 

 

Pelham Art Center gallery visitors are required to abide by all current health regulations. 

Gallery Hours:

Tuesday – Friday 10am – 5pm

Saturdays 10-4pm

 

 

The pandemic has shattered the status-quo. What was considered “normal” life has now been ruptured, changing economic conditions, family roles, and emphasizing inequities in the socio-political systems. The passage of the 19th Amendment guaranteeing and protecting women’s constitutional voting rights celebrates its 100th Anniversary this year. The all women group show “Domestic Brutes” is titled after a quote from the mother of Feminism, Mary Wollstonecraft, who referred to women’s role in 18th century English society as the link between man and animal. Featuring sculpture, installations and paintings by contemporary women artists from the greater New York City region, Domestic Brutes examines questions of identity, beauty, body, women’s social roles and careers, engaging the visitor with diverse approaches of what feminism means in American society today.

The works are as diverse in media as the artists themselves – from printmaking and drawing to painting, soft sculpture, ceramics, and video — overall the artworks are unified by each artist’s rigorous attention to detail, which comes out of appreciation and expertise in their particular medium. Aisha Tandiwe Bell’s ceramic mixed media paintings and Joiri Manaya’s video depicts female figures as both standing apart from and blending into their environments. Aisha Tandiwe Bell explores individual burdens, insecurities, and self prescribed traps, while the work also explores our ability to transform, resist and escape these traps.

Lacey McKinney, Diana Schmertz, Manju Shandler, Alisa Sikelianos-Carter, Fay Ku and Simonette Quamina address through abstracted portraiture, recent issues related to perception of race, identity, gender roles, equality and women’s constitutional rights. What was historically used as almost a prop in the old masters paintings, the nude female to be gazed upon, here seen from the artists own point of view, they have used this to their advantage, sharing their observations, telling their own narratives, and in a show of female empowerment engage the audience and community through their Art.

Melissa Stern, Nancy Elsamanoudi and Rose Nestler utilize iconic female items of fashion like high heels and bras as a witty and playful take on stereotypes of female beauty and the absurdity of feminine fashion. Tirtzah Bassel, Ashley Norwood Cooper, Maria de Los Angeles, and Sharon Madanes address issues of motherhood, the roles within the home and work environments, including the complexities of the immigrant experience particularly during this time of political divisiveness and upcoming election.

Today, the exhibition in the context of this historic centennial offers an unparalleled opportunity to open up pivotal issues related to women’s rights, the way that female beauty and body have been depicted throughout history, as well as notions of activism. “Domestic Brutes” originated as a term to describe the ways in which confining women to simply as helpless adornments of the household turned them into domestic tyrants, but here, over 100 years later, these artists channel that anger through their choice of art and activism, using their opportunities to raise questions on how to further advance the continued progression of Women’s Equality especially at this pivotal election year

 

 

Domestic Brutes Press

Fay Ku in Domestic Brutes at Pelham Art Center – Art Spiel

Manju Shandler in Domestic Brutes at Pelham Art Center – Art Spiel

Lacey McKinney in Domestic Brutes at Pelham Art Center – Art Spiel

Art Spiel – Reflections on the work of contemporary artists

Ashley Norwood Cooper in Domestic Brutes at Pelham Art Center

Pratt in Venice Prof. Fay Ku Exhibits New Work and Hosts Virtual Studio Visit

Exhibitions featuring Parsons Alumni Joiri Minaya

Pelham exhibit ‘a realistic picture of what it means to be a woman today’