January 18, 2019 - March 23, 2019
Curated by Alexandra Rutsch Brock and Elizabeth Saperstein
Christian Bazant-Hegemark, Joseph Fucigna, Valerie Hegarty, Cary Hulbert, Lina Puerta, Erika Ranee, Dorothy Robinson, Denise Sfraga and Jeanne Tremel.
*image: Christian Bazant-Hegemark, In Full Bloom, Oil on canvas, 200 x 140 cm,
Opening Reception: Friday, January 18, 6:30-8pm
Free and Open to All
Pelham Art Center is pleased to present HyperAccumulators, a group exhibition that considers how contemporary artists explore connections between nature, toxicity, and the potential for regeneration. The show is mutually inspired by a hyper-awareness of human impact on the climate and environment – the so-called Anthropocene, a new geological period characterized by ecosystem failures,rising sea levels, and other disturbances, and by “hyperaccumulators” – plants capable of growing in soils with very high concentrations of metals. Such plants are known for their ability to extract those contaminants, therefore helping to restore the ecosystem. The artists include Christian Bazant-Hegemark, Joseph Fucigna, Valerie Hegarty, Cary Hulbert, Lina Puerta, Erika Ranee, Dorothy Robinson, Denise Sfraga and Jeanne Tremel. HyperAccumulators will be on view January 18 through March 23, 2019.
“I feel like we have become ‘HyperAccumulators’ dealing with the everyday environmental and political climate we are living in,” says curator Alexandra Brock. “The artists are taking in all this – and helping us return to a better state.”
The nine contemporary artists presented in HyperAccumulators are, in a sense, representative of hyperaccumulators: highly engaged with materials and absorbing both the literal and figurative toxic aspects around them. Loaded in their use of color, surface and materials, the paintings, sculpture, mixed-media and site-specific works engulf the galleries in a vibrant, lush, and futuristic landscape. HyperAccumulators offers a thrilling visual experience, but also stimulates the other senses. Rushing rivers and bubbling volcanic liquid can be heard in the large paintings of Erika Ranee and Dorothy Robinson; the scent and taste of rotting flowers and fruit empowers Valerie Hegarty’s voluptuous still life compositions. The variety of selected materials from the natural and manufactured world, assembled in the works of Joseph Fucigna, Lina Puerta and Jeanne Tremel evoke the objects and substances we handle and discard everyday. The unknown – a kind of sixth sense – is located in the weird plant forms in drawings by Denise Sfraga and a painting by Christian Bazant-Hegemark (the first showing of this Austrian artist’s work in the U.S.). Cary Hulbert’s site-specific installation and prints offer utopian-dystopian visions of a man-made and natural environment. In all, there’s a tug back and forth between the natural and built environment, between decay and regeneration.